Yes, 1900. That is his name. The stoker dies in an accident, leaving the boy alone in the belly of the ship. But the child, a musical savant, wanders up to the first-class ballroom one night, sits at a grand piano, and plays a transcendent melody that silences the elite.
Tim Roth delivers a performance that is all vulnerability and mischief. He speaks with his hands and his gaze. You believe he is a man who has never seen a city, who has only seen the horizon through a porthole. His monologue about “the end of the world” is devastating. the legend of 1900 film
From that night on, 1900 never leaves the ship. He grows up, becomes a legend among transatlantic passengers, and plays for everyone—from arrogant millionaires to desperate immigrants dreaming of America. He can play anything: classical, ragtime, blues he invents on the spot. Yes, 1900